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出品单位:北京金强盛世文化传播有限公司摄制单位:北京金强盛世文化传播有限公司许可证号影映故字〔2。。5] 第190号幅别遮幅片长5本2359米编剧李一犁导演金国钊摄影徐伟仁制片张德才主要演员高仲伟赵婷主要内容柿子坞是一个宁静美丽的小山村，这些年在改革开放下富了起来。可随之令柿子坞的女人们烦恼的是，男人们打起了麻将，对家里的事情不闻不问，女人们想尽办法也没有效果。怒不可遏的女人们在村支书的带领下，成立了一支禁赌娘子军，几经较量，男人们仍然故我。为此成立文化大院，组织卡拉 OK大赛...。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。